Raff came over yesterday to screen my brand new copy of The Complete Metropolis Blu-Ray. I had screened it shortly after its arrival a couple weeks ago, but it's a whole different experience when you're watching with someone else, conferring, riffing and looking at a piece of cinematic and cultural history with new eyes.
One thing that Raff said that really made sense is that watching most silent films is like watching opera. The acting is histrionic, the blocking a large-scale pantomime. Most modern audiences (aside from the history geeks, film geeks and film history geeks) simply don't have the skills required to watch and enjoy a vintage silent film. Culturally, our attention span has atrophied. After 80+ years of war, cultural revolution and political scandal, we've become jaded. The general populace finds it impossible to watch, say, Lon Chaney's Hunchback of Notre Dame without muttering a collective, "How quaint," or, "You mean I have to read these title cards?" or, "Bored now - is American Idol on?"
As a film student, I was forced to watch several silent classics. Nosferatu and The Cabinet of Dr. Caligari were among them. We got some Mack Sennett and some Harold Lloyd, some Buster Keaton and some D.W. Griffith. I even did my final report on Charlie Chaplin. And although my vintage film aesthetics were honed in a scholastic setting, for whatever reason Fritz Lang's Metropolis wasn't part of the curriculum. I had to seek it out later - first in the form of a public domain chop-fest based on the American brutalization of the original, then in the form of Giorgio Moroder's glorified music video, and finally in its 2002 restored version. But I was not prepared for what is essentially Lang's original cut (minus 5 or so minutes we'll probably never find), with a brand new symphonic recording of Gottfried Huppertz's original score. It was like watching a whole different film, with characters and entire plot threads resurrected when they'd previously been excised.
So, while silent film appreciation is a dying critical discipline of a dead art form, The Complete Metropolis is nonetheless a compelling and gorgeous restoration of an influential science fiction masterpiece, full of social commentary and not-so-thinly disguised forecasts of the future.
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| Without Lang... |
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| ...there would be no Blade Runner. |
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| Without Maria... |
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| ...no C-3PO. |
Also, it's especially enjoyable with Kelpie.






We went back to Rae's apartment and got some sleep. The girl was a bit delicate in the morning, but I did not have any kind of hangover (blessings counted). Said goodbye to Jessica and Sam as they departed for Bellingham, then headed out to Costco to get the pies for the birthday party. In and out of Costco in 20 minutes flat, back to the apartment to shower and get dressed. Turned out to be way too hot to be wearing my new black paisley tie, but hey - I tried.
We met Trish and Dan at the Ballard Oddfellows Hall at Noon, set up for the party, hosted somewhere around 30 or so folks for Dan's & my combo platter of a 40th birthday party. Trish got movie popcorn bags and Sharpies for folks to write personal abuse to us. Dan made some beautiful remarks that exemplified why I love having him as a creative collaborator. Gavin showed up with the kids, and Doug & 

After we cleaned up the party, we took the kids back to Raechelle's apartment so that I could pack up and she could throw a bag together for that night. Kayleigh rode with Raechelle and Tyler rode with me back to West Seattle. We met up with Trish, Dan & Raff, chatted and worked on finishing the keg, then went to dinner at
Went out to coffee this morning at the B&N Starbucks (I remarked that I almost felt like I was cheating on Ron - "This was our place!"), then headed to Target so Raechelle could look at some summer wear to take to West Virginia on her trip. Then back home where we just...